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Anxiety of Erasure: Trauma, Authorship, and the Diaspora in Arab Women's Writings (Gender, Culture, and Politics in the Middle East), by H
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Far from offering another study that bemoans Arab women’s repression and veiling, Anxiety of Erasure looks at Arab women writers living in the diaspora who have translated their experiences into a productive and creative force. In this book, Al-Samman articulates the therapeutic effects of revisiting forgotten histories and of activating two cultural tropes: that of the maw’udah (buried female infant) and that of Shahrazad in the process of revolutionary change. She asks what it means to develop a national, gendered consciousness from diasporic locals while staying committed to the homeland.
Al-Samman presents close readings of the fiction of six prominent authors whose works span over half a century and define the current status of Arab diaspora studies―Ghada al-Samman, Hanan al-Shaykh, Hamida al-Na‘na‘, Hoda Barakat, Samar Yazbek, and Salwa al-Neimi. Exploring the journeys in time and space undertaken by these women, Anxiety of Erasure shines a light on the ways in which writers remain participants in their homelands’ intellectual lives, asserting both the traumatic and the triumphant aspects of diaspora. The result is a nuanced Arab women’s poetic that celebrates rootlessness and rootedness, autonomy and belonging.
- Sales Rank: #1978401 in Books
- Published on: 2015-12-02
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x .88" w x 5.97" l, 1.25 pounds
- Binding: Hardcover
- 312 pages
Review
Anxiety of Erasure marks a step forward in feminist critique of Arab women’s writings. In juxtaposing the traumas of wa’d, or pre-Islamic female infanticide, with the Lebanese Civil War, al-Samman has linked Arab women’s erasure, and especially fear of literary erasure, across time. Her close readings of these novels and short stories are original and perceptive, suggesting a novel approach to Arab women writers and diaspora as a cosmopolitan site of literary production. (miriam cooke, professor of Asian and Middle Eastern studies, Duke University)
Al-Samman’s analysis is lucid and textually rich. . . . A vital contribution to the understudied field of Arab women’s narrative. (Mushin al-Musawi, professor of comparative and Arabic studies, Columbia University)
About the Author
Hanadi Al-Samman is associate professor of Arabic language and literature in the Department of Middle Eastern and South Asian Languages and Cultures at the University of Virginia.
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