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Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W. E. B. Du Bois. Williams argues that these two extremes persist today in modern Hollywood, where actors such as Sam Lucas, Paul Robeson, Sidney Poitier, Denzel Washington, and Morgan Freeman, among others, must cope with and work around such limited options. Williams situates these actors' performances of one or the other stereotype within each man's personal history and within the country's historical moment, ultimately to argue that these men are rewarded for their portrayal of the stereotypes most needed to put America's ongoing racial anxieties at ease. Reinvigorating the discussion that began with Donald Bogle's seminal work, Toms, Coons, Mulattoes, Mammies, and Bucks, Black Male Frames illuminates the ways in which individuals and the media respond to the changing racial politics in America.
- Sales Rank: #1491881 in Books
- Published on: 2015-01-06
- Original language: English
- Number of items: 1
- Dimensions: 9.27" h x .71" w x 6.30" l, .0 pounds
- Binding: Hardcover
- 232 pages
Review
Black Male Frames is an impressive study of how the institution of slavery poisoned American thinking and created stereotypes about black people, especially black men, which have endured down to the present. This book is brilliant and persuasive in its analysis, and is an outstanding contribution to scholarly literature in the field of race, film and mass media. (Wayne Glasker, Rutgers University)
Focuses upon two stereotypes of Black males in film: the scoundrel and the shaman, providing a social history of how each developed-first in theater and then film. The book traces example films, but even more so, five of the Black actors who played often supporting roles in those films. At the same time, the films stories and portrayal are placed against a changing American social scene. (Christopher H. Sterling, Communication Booknotes Quarterly)
About the Author
Roland L. Williams, Jr. is associate professor in the Department of English at Temple University. He is the author of African American Autobiography and the Quest for Freedom.
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